The science and magic of shooting moving pictures
- cpc I have an A7s and I don't use s-log on it. However, on 4K cameras you might get a little bit of tonality back by downsampling to 1080p, as […] 4 years ago
- cpc I haven't used a Samsung S7, but their flat profile is likely better tuned for the limited coding range. There are other flat/log profiles, […] 4 years ago
- Antonin Hi! Excelent article. Helped me a lot to get more deep into this problem. I'm interested how it is when using H.265. When I use Technicolor […] 5 years ago
- ALEX Does this all apply to mirrorless cameras because the a7iii only shoots 8-bits however many people use it with profiles such as s-log? 5 years ago
- Neil or use the histogram in the camera ........... but judging by eye is unreliable. 6 years ago
- Introducing slimRAW: A Fast CinemaDNG Raw Video Compressor CinemaDNG lossless compression has been an interest of mine for some time. I've described a possible workflow before. But it had some […] 9 years ago
- Shooting 4K Video for 2K Delivery: the Bit Depth Advantage The first cheapish 4K cameras are here. Panasonic GH4 is out and Sony A7S is on the horizon. But nobody needs 4K, right? There is still a […] 10 years ago
- Lossless Compression for DNG Raw Video There are a lot of good things about raw video but data size is not amongst them. Uncompressed raw video can quickly add up and fill […] 10 years ago
- Creating Depth, Part 3: Light, Color and More on Deep Staging The third part of the Creating Depth series is mostly about light and color, and how they impact depth perception. There is also a section […] 11 years ago
- Creating Depth, Part 2: Perspective The second part of the Creating Depth series is about perspective. While people usually think linear perspective when they read […] 11 years ago